Copyright © 2005 Ashleen O’Gaea
My memory has conflated several Autumn festival rituals to produce this rite. I’ve simplified it, because you’ll want to embellish it with your own ideas and according to your own or your group’s talents and other resources. If your celebration is openly Wiccan, you’ll be in a fully cast Circle; if you’re sharing this with non-Pagans, you may want to make it more folksy and less religious. You’ll know which parts to emphasize, which to change, and which to leave out altogether as you modify this rite to suit your circumstances.
Set the altar at North or East, as suits you. You’ll need a bowl or bag of popcorn (depending on the number of people celebrating) and some decorative ears of corn and/or stalks of wheat. If you can not find real wheat, you can use plastic stalks that are available at most craft stores. You’ll also need a large cauldron. Again, if you don’t have a metal one, or a metal one big enough to hold both the popcorn and the decorative grain, you can use one of the plastic ones sold for Halloween. If no such thing is available to you, a cardboard box wrapped in black cloth will serve the purpose. Whatever you use, it should be at West. The popcorn should be ready in the cauldron, and the decorative grain should be on or under the alter where the Priest can reach it easily. A piece of black or brown clothe may be ready by the cauldron to make this rite more dramatic.
When the Circle has been cast, invoke the Gods:
Lady of the Corn, Queen of the Grain,
we seek Your strength in harvest’s pain.
Your son’s to the scythe, Your lover to blade,
and You bereaved have been made.
To You our arms now open wide:
we share Your grief: our God has died.
Be here with us, and not forlorn,
for as You’ve taught us, He’ll be reborn!
Hail, Great Goddess, and welcome!
Lord of the Corn, King of the Grain,
we seek Your blessing through harvest’s pain.
You’re down to scythe; they call You dead--
will You live on in ale and bread?
Be here with us in seed and feast,
for to rebirth is grief released!
Hail, Lord of the Grain, and welcome!
As the clergy invoke, everyone else echoes the hails and welcomes. (Solitaries should repeat those lines, with uplifted arms the second time.) After a heartbeat’s pause, a slow beat begins on drums, with clapping hands, stomping feet, or with rattles. To this beat (a solitary will keep slow time in his or her head), the Priest goes to the altar and picks up the decorative grain. He dances with the corn or wheat above his head (if you are a solitary woman, identify yourself as the God when you pick up the grain), spinning slowly as he progresses deosil around the Circle. He may wish to pick up the pace a bit in this part of his dance.
When he reaches South, he cries out something such as, “I am strong! I am ripe!” Simultaneously, he dances in place vigorously, with great leaps. Eventually, though, he beings to grow weary. He begins to make his way. More slowly now and lowering the grain he holds, to the West. By the time he gets there, he is moving slowly and stiffly. Perhaps he gives the corn or wheat a last shake or rattle over his head in memory of his Summer vitality, or perhaps he dances jiggishly in place with one last burst of energy.
Then the Priestess comes to him and says, “My lord, it is time.” She may take the grain from his hands and put it in the cauldron, or she may guide his hands as he lays it there himself. He will then kneel beside the cauldron. If you are using a dark cloth in this rite, the Priestess covers his head with it, and if the setup allows, he lowers himself to the ground and lays there, still, for a few moments. All the while, the rhythm is maintained by the rest of the celebrants.
For a moment, the Priestess bows over the fallen Priest/God in grief, and then she stands and turns inward to face everyone in the Circle. She dries her eyes and, clapping her hands, joins in the rhythm, and begins to speed it up a little. When the energy begins to rise, she says, “The God has died, yet He has not died! He is among us still!” While the livelier rhythm continues, she reaches into the cauldron and pulls out the bag of popcorn, and holds it over her head as if it’s a trophy she is showing off. As she does this, she nudges the Priest with her toe, and he too rises, throwing off the cloth if he is covered by one.
The Priestess lowers her arms and the Priest feeds her a bite of the popcorn, saying, “May you never hunger.” She then feeds him a bite, repeating the same words. Next, they toss a few bits of popcorn into the air as they take the bag around and offer it to everyone present. When everyone has had some popcorn, the bag is set down at the base of the altar and the Priest and the Priestess proceed to consecrate the Ale, which they share as well. After that, the Circle proceeds in the “usual way” until it is closed.
For some people, this will represent a reversal in the conduct of Cakes and Ale: In many Traditions, the Ale is consecrated and shared first. On top of that, in this ritual, the popcorn is substitute for the more conventional “Cake,” and it’s not formally consecrated. The transformation of the grain from the altar into the popcorn, the demonstration of the God’s immortality by His life’s transformation, is consecration enough for this rite. To interrupt the drama would distract us from it, and that would be unsuitable, so the consecration of the Ale waits. (Besides, grain in it’s preparation is ready to make bread, which the popcorn also symbolizes, before it’s ready to make ale.)
It would, of course, be possible to substitute crackers for popcorn, and this might be appropriate if the Priest is carrying a sheaf of wheat around the Circle. Popcorn, however, is usually more fun, and I think it’s the best choice if children are present, no matter what grains you use to represent the harvest.
How the Priest and Priestess who stand for the God and Goddess are costumed, how and how long the Priest/God dances, how participatory the dance is, what instruments are played to keep time, and the exact words the Priest/God and Priestess/Goddess say are up to the individuals and covens performing the ritual. When the rite is held is also a matter of choice, although dusk is the time of day that corresponds to this Sabbat.
Finally, to thank the Gods, say:
Lady of the Corn, Queen of the Grain,
we found Your strength in harvest’s pain.
Your son was to scythe, Your lover to blade,
and You bereaved had been made.
To us Your arms are open wide:
we shared Your grief: our God has died.
Yet here You came, and we were non forlorn,
and we witnessed together the God reborn!
Hail, Great Goddess, and farewell
Lord of the Corn, King of the Grain,
Your blessing’s received, and harvest made grain.
You were down to scythe; they called You dead,
yet You lived on in ale and bread!
And here You were, in seed and feast,
and to rebirth was our grief released!
Hail, Lord of the Grain, and farewell!
Unique among books about the Wiccan Sabbats, this volume comes complete with a convenient discussion of "Living Room" Wicca for individuals and groups who don't have an outdoor venue for their Circles
Celebrating the Seasons of Life: Beltane to Mabon by Ashleen O'Gaea.
Often Bought With This Item:
* Celebrating the Seasons of Life: Samhain to Ostara by Ashleen O'Gaea.
* Celebrate the Earth: A Year of Holidays in the Pagan Tradition by Laurie Cabot.
Related:
* Exploring the Wheel of the Year: A Journey Through Seasons and Spirituality (Desert Wind Coven's Exploring Sabbats Series) by Earl LeMaster.
* Wicca Wheel of the Year Magic: A Beginner’s Guide to the Sabbats, with History, Symbolism, Celebration Ideas, and Dedicated Sabbat Spells (Wicca for Beginners Series) by Lisa Chamberlain.
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